Film Direction & Production

Amacio Mazzaropi in the Film and Culture of Brazil: After Cinema Novo

By E. Bueno

Contemporary Hollywood Masculinities: Gender, Genre, and Politics

By Susanne Kord, Elisabeth Krimmer

The Films of Stephen King: From Carrie to Secret Window

By T. Magistrale

Hong Kong Cinema Since 1997: The Post-Nostalgic Imagination

By V. Lee

Presenting Oprah Winfrey, Her Films, and African American Literature

By T. Green

Film Remakes, Adaptations and Fan Productions: Remake/Remodel

By K. Loock, C. Verevis

Godard

By Karen Smolens

The Animation Stand: Rostrum Camera Operations

By Zoran Perisic

Cinematic Perspectives on Digital Culture: Consorting with the Machine

By Norman Taylor

Dirty Dog

By Bill Gillham

Screening the Face

By P. Coates

A History of Danish Cinema

By C. Claire Thomson, Isak Thorsen, Pei-Sze Chow

Peter Kay Biography Book: The Untold Story Of His Comedy Career Success

By Hughes, Ann

Shooting Martha

By David Thewlis

WINNER TAKES ALL

By Winner, Michael

Alex Cox's Introduction to Film: A Director's Perspective

By Alex Cox

3D Movie Making: Stereoscopic Digital Cinema from Script to Screen

By Bernard Mendiburu

Almodovar on Almodovar

By Frederic Strauss

The Complete Lynch

By David Hughes, Barry Gifford

The Very Breast of Russ Meyer

By Paul A. Woods

The Films of Peter Greenaway

By Amy Lawrence (Dartmouth College, Vermont)

Gilliam on Gilliam

By Terry Gilliam, Ian Christie

Walter Wanger, Hollywood Independent

By Matthew Bernstein

Jane Campion

By Ellen Cheshire

Universal Story

By Hirschhorn, Clive

Film, Form and Phantasy: Adrian Stokes and Film Aesthetics

By M. O'Pray

The Films of Stephen King: From Carrie to Secret Window

By T. Magistrale

British Gothic Cinema

By B. Forshaw

Existentialism and Social Engagement in the Films of Michael Mann

By Vincent M. Gaine

Phenomenology and the Future of Film: Rethinking Subjectivity Beyond French Cinema

By J. Chamarette