books by subject
Film History & Criticism
Preempting the Holocaust
The Films of Carole Lombard
Halliwell’s Top 1000
Murder in Amsterdam: Liberal Europe, Islam and the Limits of Tolerance
Creating the Worlds of Star Wars: 365 Days
David Lean
The Sexual Subject: Screen Reader in Sexuality
Nobody's Perfect: The Reviews of Anthony Lane Esquire
Women on the Verge of a Nervous Breakdown (BFI Film Classics)
The Physics of Star Wars: The Science Behind a Galaxy Far, Far Away
Edge of the World
The Collaboration: Hollywood's Pact with Hitler
The Incurable-Image: Curating Post-Mexican Film and Media Arts (Edinburgh Studies in Film and Intermediality) (Edinburgh East Asian Studies)
Female Stars of British Cinema: The Women in Question
Contemporary British Horror Cinema: Industry, Genre and Society (The Edinburgh Edition of Thomas Reid)
Cinema of the Dark Side: Atrocity and the Ethics of Film Spectatorship
The Art of Record: A Critical Introduction to Documentary
Indefinite Visions: Cinema and the Attractions of Uncertainty (Edinburgh Studies in Film) (Edinburgh Studies in Film and Intermediality)
Who's in the Money?: The Great Depression Musicals and Hollywood s New Deal (Traditions in American Cinema)
Hollywood and the Great Depression: American Film, Politics and Society in the 1930s
Post-Beur Cinema: North African Émigré and Maghrebi-French Filmmaking in France since 2000 (Traditions in World Cinema)
The Sense of Film Narration (Edinburgh Studies in Film and Internediality)
Claude Chabrol's Aesthetics of Opacity (Critical Connections)
Deleuze's Cinema Books: Three Introductions to the Taxonomy of Images
Undressing Cinema: Clothing and identity in the movies
Film Theory (Images of Culture)
Censoring the Word (Manifestos for the Twenty-first Century) (Manifestos for the 21st Century – (Seagull Titles CHUP))
The Good, The Bad and The Multiplex
In the Arena
