books by subject
Film History & Criticism
Indefinite Visions: Cinema and the Attractions of Uncertainty (Edinburgh Companions to Literature)
Transnational Film Remakes (Traditions in World Cinema)
Expressionism in the Cinema (Intelligence, Surveillance and Secret Warfare)
French-Language Road Cinema: Borders, Diasporas, Migration and 'New Europe' (Traditions in World Cinema)
Contaminations: Beyond Dialectics in Modern Literature, Science and Film (The Edinburgh Critical History of Christian Theology)
Impossible Puzzle Films: A Cognitive Approach to Contemporary Complex Cinema
Cinematic Nihilism: Encounters, Confrontations, Overcomings
Myth of the Western: New Perspectives on Hollywood's Frontier Narrative
Film Histories: An Introduction and Reader
Female Stars of British Cinema: The Women in Question
Contemporary British Horror Cinema: Industry, Genre and Society (The Edinburgh Edition of Thomas Reid)
Cinema of the Dark Side: Atrocity and the Ethics of Film Spectatorship
The Major Realist Film Theorists: A Critical Anthology
Indefinite Visions: Cinema and the Attractions of Uncertainty (Edinburgh Studies in Film) (Edinburgh Studies in Film and Intermediality)
Who's in the Money?: The Great Depression Musicals and Hollywood s New Deal (Traditions in American Cinema)
Hollywood and the Great Depression: American Film, Politics and Society in the 1930s
Post-Beur Cinema: North African Émigré and Maghrebi-French Filmmaking in France since 2000 (Traditions in World Cinema)
The Sense of Film Narration (Edinburgh Studies in Film and Internediality)
Claude Chabrol's Aesthetics of Opacity (Critical Connections)
Deleuze's Cinema Books: Three Introductions to the Taxonomy of Images
The Incurable-Image: Curating Post-Mexican Film and Media Arts (Edinburgh Studies in Film and Intermediality) (Edinburgh East Asian Studies)
Screen Presence: Cinema Culture and the Art of Warhol, Rauschenberg, Hatoum and Gordon (Edinburgh Studies in Film and Intermediality Eup)
Spaghetti Westerns at the Crossroads: Studies in Relocation, Transition and Appropriation
The Man with the Golden Touch: How the Bond Films Conquered the World
Dalí and Film
The Good, The Bad and The Multiplex
Film Theory (Images of Culture)
Censoring the Word (Manifestos for the Twenty-first Century) (Manifestos for the 21st Century – (Seagull Titles CHUP))
Undressing Cinema: Clothing and identity in the movies
