Film History & Criticism

Theorizing Desire: From Freud to Feminism to Film

By K. Gorton

Film Remakes, Adaptations and Fan Productions: Remake/Remodel

By K. Loock, C. Verevis

East Asian Cinemas: Regional Flows and Global Transformations

By V. Lee

European Cinema and Intertextuality: History, Memory and Politics

By E. Mazierska

The (Moving) Pictures Generation: The Cinematic Impulse in Downtown New York Art and Film

By V. Dika

Violence, Politics and Textual Interventions in Northern Ireland

By P. Mahon

Theaters of War: America's Perceptions of World War II

By V. Casaregola

Godard

By Karen Smolens

Reading 'Bollywood': The Young Audience and Hindi Films

By S. Banaji

Towards a Market in Broadcasting: Communications Policy in the UK and Germany

By C. Potschka

Tokyo Cyberpunk: Posthumanism in Japanese Visual Culture

By Steven T. Brown

Mamoulian

By Geoff Andrew

Mamoulian

By Geoff Andrew

Landscape Allegory in Cinema: From Wilderness to Wasteland

By D. Melbye

Masculinities in Contemporary Argentine Popular Cinema

By Carolina Rocha

France, Film, and the Holocaust: From genocide to shoah

By F. Banaji

100 Film Musicals

By J. Gibbs, Doug Pye

Translating Popular Film

By C. O'Sullivan

Television, Memory and Nostalgia

By A. Holdsworth

The Politics of Affect and Emotion in Contemporary Latin American Cinema: Argentina, Brazil, Cuba, and Mexico

By L. Podalsky

Film and Female Consciousness: Irigaray, Cinema and Thinking Women

By L. Bolton

Investigating Shrek: Power, Identity, and Ideology

By T. Nieguth, A. Lacassagne

Hollywood and the American Historical Film

By J.E. Smyth (University of Warwick, UK)

British Social Realism in the Arts since 1940

By D. Tucker

Cinematic Perspectives on Digital Culture: Consorting with the Machine

By Norman Taylor

The Symbolic, the Sublime, and Slavoj Zizek's Theory of Film

By M. Flisfeder

Movies That Move Us: Screenwriting and the Power of the Protagonist's Journey

By C. Batty

Dirty Dog

By Bill Gillham

The Post-Dictatorship Generation in Argentina, Chile, and Uruguay: Collective Memory and Cultural Production

By A. Ros

Screening the Face

By P. Coates