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Playwriting

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DNA

By Dennis Kelly, Dr Clare Finburgh Delijani

Shakespeare: The Man Who Pays The Rent

By Judi Dench

Our Country's Good: Based on the novel 'The Playmaker' by Thomas Keneally

By Timberlake Wertenbaker, Sophie Bush (Sheffield Hallam University, UK)

Under Milk Wood: A Play for Voices

By Dylan Thomas

Blue/Orange

By Joe Penhall

Foxes

By Dexter Flanders

A Purple Summer: Notes on the Lyrics of Spring Awakening

By Steven Sater

Our Country's Good

By Timberlake Wertenbaker

Theatre-Making: Interplay Between Text and Performance in the 21st Century

By D. Radosavljevic

Theatre-Making: Interplay Between Text and Performance in the 21st Century

By D. Radosavljevic

Marina Carr Plays 1: Low in the Dark; The Mai; Portia Coughlan; By the Bog of Cats...

By Marina Carr

Shakespeare and Child's Play: Performing Lost Boys on Stage and Screen

By Carol Chillington Rutter (University of Warwick, UK)

As You Like It (Collins Classics)

By William Shakespeare

Art Of Dramatic Writing: Its Basis in the Creative Interpretation of Human Motives

By Lajos Egri

China Dawn

By Duncan, Robert Lipscomb

Euripides' Alcestis: In a Version by Ted Hughes

By Hughes, Ted

Harold Pinter Plays 1: The Birthday Party; The Room; The Dumb Waiter; A Slight Ache; The Hothouse; A Night Out; The Black and White; The Examination

By Harold Pinter

Six Greek Tragedies: Persians; Prometheus Bound; Women of Trachis; Philoctetes; Trojan Women; Bacchae

By J. Michael Walton, Frederic Raphael, Kenneth McLeish, Marianne McDonald

National Theatre Connections 2018: The Blue Electric Wind; The Changing Room; The Free9; The Ceasefire Babies; These Bridges; When They Go Low; Want; The Sweetness of a Sting; Dungeness

By Brad Birch, Chinonyerem Odimba, Alice Birch (Author), Chris Bush, In-Sook Chappell

Look Back in Anger

By John Osborne

My Mother Said I Never Should

By Charlotte Keatley (Playwright, UK)

Flight Path & Undercarriage

By David Watson

Bahnwarter Thiel

By Gerhart Hauptmann, David Horrocks, David Rock

What Mommies Do Best/What Daddies Do Best Edition: Reprint

By Laura Numeroff

What Was Shakespeare Really Like?

By Stanley Wells (Shakespeare Birthplace Trust, Stratford-upon-Avon), Stephen Fry

A Pocket to Twentieth-Century Drama

By Unwin, Stephen

Approaching Empty

By Ishy Din

Reasons to Be Pretty

By LABUTE, Neil

King Lear (Absolute Classics)

By Shakespeare, WILLIAM

The White Guard

By Mikhail Bulgakov and Andrew Upton