books by subject
Performing Arts History & Criticism
Eugene O'Neill's One-Act Plays: New Critical Perspectives
Theaters of War: America's Perceptions of World War II
Contemporary French Theatre and Performance
Experimental Irish Theatre: After W.B. Yeats
Imagining the Audience in Early Modern Drama, 1558-1642
Charles Dickens and the Great Theatre of the World
Sweet William: Twenty Thousand Hours With Shakespeare
Applying Performance: Live Art, Socially Engaged Theatre and Affective Practice
Re-imagining Western European Geography in English Renaissance Drama
Theatre and Globalization: Irish Drama in the Celtic Tiger Era
Performance in the Blockades of Neoliberalism: Thinking the Political Anew
Visuality in the Theatre: The Locus of Looking
The Rise of Performance Studies: Rethinking Richard Schechner's Broad Spectrum
Playing to the Crowd: London Popular Theatre, 1780-1830
Multimedia Performance
Performance, Space, Utopia: Cities of War, Cities of Exile
Readings in Performance and Ecology
The Spaces of Irish Drama: Stage and Place in Contemporary Plays
It Came From the 1950s!: Popular Culture, Popular Anxieties
Field Day and the Translation of Irish Identities: Performing Contradictions
John Ruskin and the Victorian Theatre
Theatre Under Louis XIV: Cross-Casting and the Performance of Gender in Drama, Ballet and Opera
Jewish Women on Stage, Film, and Television
Wild and Dangerous Performances: Animals, Emotions, Circus
Shakespeare and the Making of Theatre
Neoliberalism and Global Theatres: Performance Permutations
The Fool in European Theatre: Stages of Folly
Politics, Prudery and Perversions: The Censoring of the English Stage, 1901-1968
Playing with Theory in Theatre Practice
