Performing Arts History & Criticism

Worlds Elsewhere: Journeys Around Shakespeare's Globe

By Andrew Dickson

The Generation of Plays: Yoruba Popular Life in Theater

By Karin Barber

Brian Friel: Essays, Diaries, Interviews: 1964-1999: Essays and Interviews

By Professor Christopher Murray

The Rat Pack: Neon Nights with the Kings of Cool

By Lawrence J. Quirk

Contemporary Greek Theatre: v. 2

By Pavlos Matesis

The Spectator: Talk About Movies and Plays With Those Who Made Them

By Studs Terkel

Harold Pinter Plays 1: The Birthday Party; The Room; The Dumb Waiter; A Slight Ache; The Hothouse; A Night Out; The Black and White; The Examination

By Harold Pinter

Stars and Spies: The story of Intelligence Operations...

By Christopher Andrew, Julius Green

David Mamet's Oleanna

By David K. Sauer

Shakespeare: A Life

By Park Honan (Emeritus Professor, School of English, Emeritus Professor, University of Leeds)

The Lear Diaries: The Story of the Royal National Theatre's Productions of Shakespeare's Richard III and King Lear

By Brian Cox

Masculinity, Crime and Self-Defence in Victorian Literature: Duelling with Danger

By E. Godfrey

Authoring Performance: The Director in Contemporary Theatre

By A. Sidiropoulou

DRAMA IN PERFORMANCE

By Raymond Williams

Obedience, Struggle and Revolt

By David Hare

Impersonations: The Performance of Gender in Shakespeare's England

By Stephen Orgel (Stanford University, California)

Performing Violence: Literary and Theatrical Experiments of New Russian Drama

By Birgit Beumers, Mark Lipovetsky

The Cambridge Companion to George Bernard Shaw

By Christopher Innes (York University, Toronto)

Political Theatre in Post-Thatcher Britain: New Writing, 1995-2005

By A. Kritzer

The Cambridge History of American Theatre

By Don B. Wilmeth (Brown University, Rhode Island), Christopher Bigsby (University of East Anglia)

Theatre East and West: Perspectives Towards a Total Theatre

By Leonard C. Pronko

The Cambridge Companion to Eugene O'Neill

By Michael Manheim (University of Toledo, Ohio)

Theatre, Communication, Critical Realism

By T. Nellhaus

Actresses as Working Women: Their Social Identity in Victorian Culture

Rescripting Shakespeare: The Text, the Director, and Modern Productions

By Alan C. Dessen (University of North Carolina, Chapel Hill)

Thinking Through Place on the Early Modern English Stage

By Andrew Bozio (Assistant Professor of English, Assistant Professor of English, Skidmore College, USA)

This Is My Body: Representational Practices in the Early Middle Ages

By Michal Andrzej Kobialka

A Source Book in Theatrical History

By Alois M. Nagler

The Irish Dramatic Movement

By W. B. Yeats

Theatre: The Search for Style

By John D. Mitchell