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Performing Arts History & Criticism

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Alternative Chinese Opera in the Age of Globalization: Performing Zero

By D. Lei

Performing European Memories: Trauma, Ethics, Politics

By Milija Gluhovic

Theatre/Ecology/Cognition: Theorizing Performer-Object Interaction in Grotowski, Kantor, and Meyerhold

By T. Paavolainen

Vibratory Modernism

By A. Enns, S. Trower

Theatre of Good Intentions: Challenges and Hopes for Theatre and Social Change

By D. Snyder-Young

Theatre-Making: Interplay Between Text and Performance in the 21st Century

By D. Radosavljevic

Theatre-Making: Interplay Between Text and Performance in the 21st Century

By D. Radosavljevic

Against Theatre: Creative Destructions on the Modernist Stage

By A. Ackerman, M. Puchner

Akram Khan: Dancing New Interculturalism

By Royona Mitra

Feminist Futures?: Theatre, Performance, Theory

By G. Harris, E. Aston

Theatre and Event: Staging the European Century

By A. Kear

Samuel Beckett and the Prosthetic Body: The Organs and Senses in Modernism

By Y. Tajiri

The New War Plays: From Kane to Harris

By J. Boll

The Theatre of War: The First World War in British and Irish Drama

By H. Kosok

Shakespearean Neuroplay: Reinvigorating the Study of Dramatic Texts and Performance through Cognitive Science

By A. Cook

Distance, Theatre, and the Public Voice, 1750-1850

By M. Nuss

Pacific Performances: Theatricality and Cross-Cultural Encounter in the South Seas

By C. Balme

Spatial Representations and the Jacobean Stage: From Shakespeare to Webster

By R. West

The Performing Century: Nineteenth-Century Theatre's History

By T. Davis, P. Holland

Performance and Place

By L. Hill, H. Paris

Shakespeare, Film Studies, and the Visual Cultures of Modernity

By A. Guneratne

Hegemony and Fantasy in Irish Drama, 1899-1949

By P. Murphy

Violence Performed: Local Roots and Global Routes of Conflict

By P. Anderson, J. Menon

Narrating the Past through Theatre: Four Crucial Texts

By M. Bennett

The Regal Theater and Black Culture

By C. Semmes

British Asian Theatre: Dramaturgy, Process and Performance

By Dominic Hingorani

Knowing Shakespeare: Senses, Embodiment and Cognition

By L. Gallagher, S. Raman

Violence Performed: Local Roots and Global Routes of Conflict

By P. Anderson, J. Menon

American 'Unculture' in French Drama: Homo Americanus and the Post-1960 French Resistance

By Les Essif

Contemporary Street Arts in Europe: Aesthetics and Politics

By S. Haedicke