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Television History & Criticism

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Last of the Summer Wine: The Inside Story of the World's Longest-running Comedy Programme

"Are You Being Served?": A Celebration of Twenty Five Years

By Richard Webber, Joanna Lumley, David Croft, Jeremy Lloyd

Twin Peaks

By Julie Grossman, Will Scheibel

Reflections an Oral History of Twin Peaks

By Brad Dukes

Twin Peaks: Unwrapping the Plastic

By Franck Boulegue, David Bushman

The Essential Wrapped In Plastic: Pathways to Twin Peaks

By John Thorne

Twin Peaks FAQ: All That's Left to Know About a Place Both Wonderful and Strange

By David Bushman

That Was Satire, That Was: Beyond the Fringe, the Establishment Club, "Private Eye" and "That Was the Week That Was"

By Humphrey Carpenter

"The Zoo Story

By Edward Albee

House and Philosophy: Everybody Lies

By Henry Jacoby, William Irwin (Wilkes-Barre, Pennsylvania)

Televising War: From Vietnam to Iraq

By Andrew Hoskins

Dexter: Investigating Cutting Edge Television

By Douglas L. Howard

Woke Up This Morning: The Definitive Oral History of The Sopranos

By Michael Imperioli, Steve Schirripa

Early Modern Tragedy and the Cinema of Violence

By S. Simkin

Televising Queer Women: A Reader

By R. Beirne

Film, Form and Phantasy: Adrian Stokes and Film Aesthetics

By M. O'Pray

Medieval and Early Modern Film and Media

By R. Burt

Media Framing of the Muslim World: Conflicts, Crises and Contexts

By H. Rane, J. Ewart, John Martinkus

Cinema and Community

By D. McKiernan

Possessed Child Narratives in Literature and Film: Contrary States

By A. Schober

Oprah, Celebrity and Formations of Self

By S. Wilson

American Protestants and TV in the 1950s: Responses to a New Medium

By M. Rosenthal

Hollywood and Intimacy: Style, Moments, Magnificence

By S. Peacock

Henry IV: Parts I and II

By James N. Loehlin

The Films of Stephen King: From Carrie to Secret Window

By T. Magistrale

The Simpsons, Satire, and American Culture

By M. Henry

Popular Italian Cinema

By L. Bayman, S. Rigoletto

British Gothic Cinema

By B. Forshaw

American Gangster Cinema: From "Little Caesar" to "Pulp Fiction"

By F. Mason

The Cult of Ivan the Terrible in Stalin's Russia

By M. Perrie