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Television History & Criticism

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Screening the Face

By P. Coates

Presenting Oprah Winfrey, Her Films, and African American Literature

By T. Green

Theorizing Desire: From Freud to Feminism to Film

By K. Gorton

Film Remakes, Adaptations and Fan Productions: Remake/Remodel

By K. Loock, C. Verevis

East Asian Cinemas: Regional Flows and Global Transformations

By V. Lee

European Cinema and Intertextuality: History, Memory and Politics

By E. Mazierska

The (Moving) Pictures Generation: The Cinematic Impulse in Downtown New York Art and Film

By V. Dika

Violence, Politics and Textual Interventions in Northern Ireland

By P. Mahon

Reading 'Bollywood': The Young Audience and Hindi Films

By S. Banaji

Towards a Market in Broadcasting: Communications Policy in the UK and Germany

By C. Potschka

Tokyo Cyberpunk: Posthumanism in Japanese Visual Culture

By Steven T. Brown

Landscape Allegory in Cinema: From Wilderness to Wasteland

By D. Melbye

Masculinities in Contemporary Argentine Popular Cinema

By Carolina Rocha

Translating Popular Film

By C. O'Sullivan

Television, Memory and Nostalgia

By A. Holdsworth

The Politics of Affect and Emotion in Contemporary Latin American Cinema: Argentina, Brazil, Cuba, and Mexico

By L. Podalsky

Film and Female Consciousness: Irigaray, Cinema and Thinking Women

By L. Bolton

Investigating Shrek: Power, Identity, and Ideology

By T. Nieguth, A. Lacassagne

British Social Realism in the Arts since 1940

By D. Tucker

The Symbolic, the Sublime, and Slavoj Zizek's Theory of Film

By M. Flisfeder

Movies That Move Us: Screenwriting and the Power of the Protagonist's Journey

By C. Batty

The Post-Dictatorship Generation in Argentina, Chile, and Uruguay: Collective Memory and Cultural Production

By A. Ros

House and Philosophy: Everybody Lies

By Henry Jacoby, William Irwin (Wilkes-Barre, Pennsylvania)

Twin Peaks: Unwrapping the Plastic

By Franck Boulegue, David Bushman

The Essential Wrapped In Plastic: Pathways to Twin Peaks

By John Thorne

Twin Peaks FAQ: All That's Left to Know About a Place Both Wonderful and Strange

By David Bushman

That Was Satire, That Was: Beyond the Fringe, the Establishment Club, "Private Eye" and "That Was the Week That Was"

By Humphrey Carpenter

"The Zoo Story

By Edward Albee

Dexter: Investigating Cutting Edge Television

By Douglas L. Howard

Early Modern Tragedy and the Cinema of Violence

By S. Simkin