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Art Criticism

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Ai Weiwei Speaks: with Hans Ulrich Obrist

By Hans Ulrich Obrist

A History of Experimental Film and Video

By A.L. Rees

David Hockney Portraits

By Sara Howgate

Colors: Where They Come from etc.

By Anne Varichon

Salvador Dali: Exploring the Irrational

By Edmund Swinglehurst

Ethiopian Art: The Walters Art Museum

By Walters Art Museum

Reflections

By Ahdaf Soueif

Identity Theft: Cultural Colonisation and Contemporary Art

By Jonathan Harris (Professor in Global Art & Design Studies, Birmingham City University (United Kingdom))

Making Contemporary Art:How Today's Artists Think and Work: How Today's Artists Think and Work

By Linda Weintraub

Portraits

By Helen Dore

From the Land of the Totem Poles: The Northwest Coast Indian Art Collection at the American Museum of Natural History

By Aldona Jonaitis

101 Things to Learn in Art School

By Kit White

Interaction of Color: 50th Anniversary Edition

By Josef Albers, Nicholas Fox Weber

The Apologist

By Jay Rayner

The Language of New Media

By Lev Manovich (City University of New York)

Modern Theories of Art: From Impressionism to Kadinsky

By Moshe Barasch

Art Therapy with Children on the Autistic Spectrum: Beyond Words

By Kathy Evans, Janek Dubowski

The Gulf War Did Not Take Place

By Jean Baudrillard

Hg2: A Hedonist's Guide to Art

By Laura K. Jones

Colour 2nd edition: A workshop for artists and designers

By Hornung, David

An Intelligent Person's Guide to Modern Art

By S. Farthing

Six Facets Of Light

By Ann Wroe

How to Live at the End of the World: Theory, Art, and Politics for the Anthropocene

By Travis Holloway

Seeing Slowly: Looking at Modern Art

By Michael Findlay

The Science of Art: Optical Themes in Western Art from Brunelleschi to Seurat

By Martin Kemp

Math and the Mona Lisa: The Art and Science of Leonardo Da Vinci

By Bulent Atalay

The Origin of Perspective

By Hubert Damisch, John Goodman

Visualizations

By Mr Martin Kemp

Arts of the City Victorious: Islamic Art and Architecture in the Fatimid North Africa and Egypt

Monsters: What Do We Do with Great Art by Bad People?

By Claire Dederer